In addition, The Mac version of Acoustica 7.3 now runs natively on Apple Silicon processors such as Apple M1. Other workflow improvements include snapping to other objects, region selection, and optional looped playback. The multitrack editor has received a facelift, and it is now possible to add fade-ins or fade-outs directly to clips.
A new, high-quality time scale modification algorithm now powers the Time Stretch and Transpose tools. Based on deep learning, Remix is able to split a complete mix in up to five stems. The Remix tool for stem separation is available in both editions and now offers adjustable sensitivity for each stem. Time-frequency selections in the Premium Edition’s powerful spectral editor can now be resized and moved. More targeted noise reduction is possible with DeWind:Dialogue, DeRustle:Dialogue and DeBuzz:Dialogue. Extract:Dialogue automatically extracts dialogue from a range of common noise sources. But existing owners will get the update for free.Boasting four new modules and other key features to boot, Acoustica 7.3 is a dialogue post-production powerhouse.Īcoustica Premium Edition 7.3 includes four new plugins for dialogue post-production. I figured the crossgrade price was a mistake on their part, or else they're feeling very generous as the synth is already on sale. The free reverb was the very first one I got. What's strange is I don't own any other Arturia products. Pigment 2 is on a special of €99 or €69 if you already own Arturia products. When I went over to the Arturia site, I noticed a special crossgrade offer for Pigments 2.
I enjoyed Pigment very much and this upgrade looks like it brings in some interesting possibilities without ruining everything that made it good in the first place. Otherwise, the modulation engine and joyfully animated interface are the same, and that’s a really good thing! Oh, and they’ve added support for MPE control. They’ve added the Buchla Easel low pass gate and a space-age tape delay which will give it a nicely organic and wobbly edge. The sequencer has also had a rethink and now has non-destructive randomness so that you can dial in some chaos and then dial it back again if you start losing the plot. And when in doubt just hit the Random button. Or you can push them through the granular engine to find beauty in the smallest grains of your samples. You can import your own samples and load them into 6 slots and have them playback in all sorts of exciting ways. But what is new is the sample and granular engine. On first glance it looks largely the same so there’s no radical departure in workflow.
The original Pigment was excellent and so I am very much looking forward to what version 2 may offer.
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